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Biography

Mark Postlethwaite

Born in Leicestershire, England in 1964 , like many of his friends, Mark had only one ambition during his school years, and that was to fly fast jets with the RAF.   At the age of 13 he was devastated to discover that his eyesight was less than perfect and therefore unsuitable for military flying.    This discovery completely knocked him for six and it took him years to decide what else he wanted to do with his life.  Eventually after leaving school at 16 and working for the Co-op for two years , Mark managed to get a job in photography, thanks mainly to a portfolio he had built up whilst working on a free local newspaper.

Photography soon became a good outlet for his inborn creativity and during his 10 years in the business he worked in most aspects of professional photography in London, Leicester and Nottingham, shooting everything from cat food to lingerie, I preferred the latter! he says.

Mark started to paint aircraft on canvas at the age of 17 as a hobby. A lifelong interest in flying and aviation history  together with his professional knowledge of light through his career as a photographer,  soon combined to produce work of the highest standards in this exacting field. In 1987, he became the first ever Artist in residence at the Royal Air Force Museum, Hendon in what was the first major exhibition of his work.

At the age of 27, Mark was elected to become the youngest Full Member of the Guild of Aviation Artists and shortly after, left photography to make a full time profession in aviation art. His knowledge of his subject was put to the test only a month after when he competed in and won the TV quiz show The $64,000 Question answering questions on the Battle of Britain. His work so impressed the host Bob Monkhouse that he bought one of Mark's originals there and then.

Around this time,Mark was contacted by the Chairman of 30 Squadron Association RAF with a view to commissioning him to paint a 75th anniversary painting for the Squadron. He drove down to their base at RAF Lyneham and for the first time came into contact with the life that he had so wanted as a schoolboy. "The first thing that struck me was why I hadn't considered joining the RAF in a different trade apart from flying" , Mark reflects, It honestly just never crossed my mind at the time, it was either flying or nothing.

The subsequent painting was received with great acclaim within the RAF and soon commissions were rolling in on a regular basis from various Squadrons including a three year association with the world famous RAF Aerobatic Team The Red Arrows.

On top of this, and more importantly for Mark, the Squadrons were offering him the chance to fly with them as part of the research process. By 1995, he had built up many hours of military flying in types such as the Hercules, VC10, Gazelle and Tucano in the UK, Germany and Cyprus. However, his boyhood ambition of flying in a fast jet still eluded him .

Then, on a grey autumn afternoon in 1996, Mark found himself sitting in a BAe Hawk of 208 Sqn at RAF Valley in North Wales ready for take off. An hour later after a thoroughly uncomfortable but exhilarating tail chase 20,000 ft above Snowdon, his feet touched the ground once more and he realised that that boyhood ambition had been finally achieved, in the most unexpected way possible.

He flew again in a Hawk a few months later and then the following year he topped all of this by spending an hour at low level in a Harrier, "the most incredible experience of my life" he reflects "finished off with the famous Harrier bow, when the aircraft hovers above the ground and dips its nose towards the crowd" .

"As a boy I used to marvel at seeing the Harrier perform this trick at airshows,I never ever dreamed that one day I would be in the cockpit looking back"

In the following years, Mark has become firmly established as one of Britain's leading aviation artists in the world-wide fine art print market with many of his limited editions now only available on the secondary market. For example, Mark's Operation Irma print of a Hercules going into Sarajevo, commissioned by 47 Squadron RAF, sold out within a few months and raised over £20,000 for Children's Charities.

Since 1986, Mark Postlethwaite has been working on a series of paintings for the Norwegian Armed Forces. This work has established him as one of the leading military artists in Norway. He is renowned by the Norwegians for his ability to capture their special Norwegian light and his work hangs in many museums up and down the country. He has done numerous TV and radio interviews over there and has had many articles written about him in the national press Worldwide, his originals and prints can be found in many major museums and collections and his work has been featured many times on radio and television. A book of his work 'War in the Air' was published in 2003 and a second volume is planned for 2009.

He is basically self taught, and developed a style, when younger, based on his favourite artists of the time Frank Wootton, Michael Turner and the Airfix box art genius Roy Cross. Over the years his work has developed its own style and is now as recognisable as that of his boyhood idols.

He works exclusively in acrylic on canvas and is probably one of UK's foremost exponents of this modern paint. An easy medium to learn but a very difficult medium to master, Mark's acrylic paintings are nearly always mistaken for oil paintings due to the richness and thickness of paint he uses. He is in high demand from art societies to give demonstrations of his handling of this tricky medium and his larger originals now usually sell for £8000+.

"Although there are many and varied reasons for using acrylics rather than oils, the principal benefit is that within minutes of finishing the painting the paint is completely dry". "As most of my professional work has very tight deadlines, especially the Norwegian works, I know that I can roll up a canvas and put it in my bag and board an aircraft for Norway within literally minutes of completing the finishing touches." "This is just impossible with oils".

He has a vast library of books and models and is also the founder of ww2images.com a WW2 internet photo library, which was launched in August 2000. (He used his extensive knowledge to write all of the thousands of captions therein). The library also contains a lot of his WW2 paintings and the whole thing is specifically designed to become a high tech source of information for today's generation to learn about the sacrifices of their 1940's contemporaries.

The fast jet flying, apart from being great fun, also has a very real use.

"It is absolutely vital for any military artist to be able to visualise well and accurately. Obviously, most things we paint we cannot do from life and with aviation even more so. Therefore we have to instinctively know what is right. This takes years of experience and research especially with painting air combat. Having flown a few tail chases (mock dogfights) with the RAF, one gets subconsciously a very accurate idea of the size, attitudes and positioning of aircraft in combat.This would be very difficult to achieve accurately without the flying experience.

"I also try to paint what you actually see when you're flying. When in tight formation with another aircraft, you only get an impression of panel lines and rivets, you don't sit there counting the whole lot of them. The main thing you do notice ironically is the pilot moving around. Most of us aviation artists tend to paint him behind a mass of reflection but in reality you really can see the colour of his eyes!"

"I've also noticed how difficult it is to positively identify aircraft with national markings even at reasonably close distances. When you're flying you tend to see other aircraft as light and shade and this is what I try to show in my work. I certainly have great admiration and respect for all veteran pilots who had to make split second decisions as to who to shoot at in the heat of battle, I'm not at all surprised that mistakes were sometimes made".


Quite apart from this, Mark has found further reason to admire his boyhood heroes, "Flying in (simulated) combat at speed must be one of the most exhausting things I've ever done" Mark says, "When you consider that the young men of Fighter Command went up four or five times a day and literally flew for their lives in this exhausting aerial arena , I would suggest that they were fitter both mentally and physically than most of our overpaid sportsmen of today. In many ways I now hold them in even greater esteem than I did when I was a schoolboy and I still can't get over the fact that I'm now able to meet and hear the stories first hand of all of my boyhood heroes."

Mark is definitely an artist with a mission which goes beyond painting pretty pictures to hang above the fireplace. "Every painting I do, I try to research and portray as accurately and as fairly as possible. I have seen over the years how people try to alter our perception of history through 'evangelical revisionism'. What they seem to conveniently forget is that you cannot judge the past by today's standards. Everything must be taken in context to the time that it took place in. With my work, I'm trying to show and record exactly what happened so that future generations will have a visual record to stimulate their interest and understanding. I am very aware that they won't get the chance, as I have, to talk to the veterans of WW2."

"One of my favourite projects was one commissioned by the Norwegians to show the events around 'Black Friday' 9th February 1945. On this day, only a few months from the end of WW2, we lost 9 Beaufighters and one Mustang in a single air battle over western Norway. In return the Germans lost 5 Fw190s. In total, 16 airmen died in this one battle which has long since been lost to the history books. Through the series of paintings that we produced, many more people both in Norway and England are now aware of the events of that day and the surviving pilots are now at last getting a bit more of the recognition they deserve."


Although Mark is known exclusively for his aviation work, he can turn his hand to other subjects with equally impressive results. It is little known for example that he has produced many maritime paintings for the Norwegian Coastal Artillery, including retirement gifts for the Naval Chiefs of Staff, (a more critical audience would be difficult to find!) "Painting the sea is almost as challenging as painting the sky and I thoroughly enjoy both" Mark says, "I certainly plan to produce more maritime paintings in the future and I'm very grateful to the Norwegians for forcing me to diversify!"

The principal element in all of Mark's work is handling of light. Having spent 10 years in photography, he developed an enormous appreciation of the positioning, colouring and diffusion of light sources. This is clearly evident in his paintings.

"I love studying light and its associated tricks and nuances. As a photographer, when you have to make a plate of cat food look interesting, you realise that the only answer lies in the lighting! You soon learn that you can add colour, texture and mood all through the careful manipulation of light. When it comes to painting, the same rules apply and, historical accuracy permitting, the artist should use every trick he can to suggest the mood of the moment." Mark is without doubt a man who is happy with life. He can't imagine a better way of working for a living, "I even gave up photographing lingerie catalogues to paint aircraft, a move my football teammates still can't quite grasp!

Mark is married to Asia, and they recently celebrated their 10th wedding anniversary. The couple have two children, Kasia (7) and Szymek (1). As can be guessed from the names, Asia is Polish and in late June 2008 they will all move from their Leicestershire home to their Polish house near Wroclaw.
"We have been considering this move for many years and decided that now was the time. As artists we have the wonderful opportunity to live anywhere in the world so we are going to see what it's like and then decide on our future in a couple of years' time"


They still travel extensively, especially to Norway from where Mark continues to receive work "A few years ago, we were taken up into the Arctic Circle whilst researching paintings for the Norwegian Armed Forces. We spent a week in the Bødø and Tromso area where we enjoyed the indescribable beauty of that area in the midnight sun. It is certainly a place that I want to return to and maybe produce some landscape paintings as the scenery and light is simply beautiful."

As for long term ambitions, Mark has simply this. "I want to live a happy and good life and professionally be the very best in anything that I do." Those who have met this remarkable young artist have no cause to doubt that he will achieve his aims.





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