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Biography
Mark Postlethwaite
Born in Leicestershire, England in 1964 , like many of his friends,
Mark had only one ambition during his school years, and that was
to fly fast jets with the RAF. At the age of 13 he
was devastated to discover that his eyesight was less than
perfect and therefore unsuitable for military
flying. This discovery completely knocked him
for six and it took him years to decide what else he wanted to do
with his life. Eventually after leaving school at 16 and
working for the Co-op for two years , Mark managed to get a job
in photography, thanks mainly to a portfolio he had built up
whilst working on a free local newspaper.
Photography soon became a good outlet for his inborn creativity
and during his 10 years in the business he worked in most aspects
of professional photography in London, Leicester and Nottingham,
shooting everything from cat food to lingerie,
I preferred the latter! he says.
Mark started to paint aircraft on canvas at the age of 17 as a hobby.
A lifelong interest in flying and aviation history
together with his professional knowledge of light through
his career as a photographer, soon combined to
produce work of the highest standards in this exacting
field. In 1987, he became the first ever Artist in
residence at the Royal Air Force Museum, Hendon in what was the
first major exhibition of his work.
At the age of 27, Mark was elected to become the youngest Full
Member of the Guild of Aviation Artists and shortly after, left
photography to make a full time profession in aviation
art. His knowledge of his subject was put to
the test only a month after when he competed in and won the TV
quiz show The $64,000 Question answering questions on the Battle
of Britain. His work so impressed the host Bob Monkhouse
that he bought one of Mark's originals there and then.
Around this time,Mark was contacted by the Chairman of 30
Squadron Association RAF with a view to commissioning him to
paint a 75th anniversary painting for the
Squadron. He drove down to their base at RAF Lyneham
and for the first time came into contact with the life that he
had so wanted as a schoolboy. "The first
thing that struck me was why I hadn't considered joining the RAF
in a different trade apart from flying" , Mark
reflects, It honestly just never crossed my mind at
the time, it was either flying or
nothing.
The subsequent painting was received with great acclaim within the
RAF and soon commissions were rolling in on a regular basis from
various Squadrons including a three year association with the
world famous RAF Aerobatic Team The Red Arrows.
On top of this, and more importantly for Mark, the Squadrons were
offering him the chance to fly with them as part of the research
process. By 1995, he had built up many hours of military flying in types such
as the Hercules, VC10, Gazelle and Tucano in the UK, Germany and
Cyprus. However, his boyhood ambition of flying in a
fast jet still eluded him .
Then, on a grey autumn afternoon in 1996, Mark found himself sitting in
a BAe Hawk of 208 Sqn at RAF Valley in North Wales ready for take
off. An hour later after a thoroughly uncomfortable but exhilarating tail chase 20,000 ft above
Snowdon, his feet touched the ground once more and he realised
that that boyhood ambition had been finally achieved, in the most
unexpected way possible.
He flew again in a Hawk a few months later and then the following
year he topped all of this by spending an hour at low level in a
Harrier, "the most incredible experience of my life" he
reflects "finished off with the famous Harrier bow, when the
aircraft hovers above the ground and dips its nose towards the
crowd" .
"As a boy I used to marvel at seeing the Harrier perform this trick
at airshows,I never ever dreamed that one day I would be
in the cockpit looking back"
In the following years, Mark has become firmly established as
one of Britain's leading aviation artists in the
world-wide fine art print market with many of his limited
editions now only available on the secondary
market. For example, Mark's Operation Irma print of a Hercules going into
Sarajevo, commissioned by 47 Squadron RAF, sold out within
a few months and raised over £20,000 for Children's
Charities.
Since 1986, Mark Postlethwaite has been working on a series of
paintings for the Norwegian Armed Forces. This work has
established him as one of the leading military artists in Norway.
He is renowned by the Norwegians for his ability to capture their
special Norwegian light and his work hangs in many museums up and
down the country. He has done numerous TV and radio
interviews over there and has had many articles written about him
in the national press
Worldwide, his originals and prints can be found in many major museums and
collections and his work has been featured many times on radio
and television. A book of his work 'War in the Air' was published in 2003 and a second volume is planned for 2009.
He is basically self taught, and developed a
style, when younger, based on his favourite artists of the time
Frank Wootton, Michael Turner and the Airfix box art genius Roy
Cross. Over the years his work has developed its own
style and is now as recognisable as that of his boyhood idols.
He works exclusively in acrylic on canvas
and is probably one of UK's foremost exponents of this modern
paint. An easy medium to learn but a very difficult medium to
master, Mark's acrylic paintings are nearly always mistaken for
oil paintings due to the richness and thickness of paint he uses.
He is in high demand from art societies to give demonstrations of
his handling of this tricky medium and his larger originals now
usually sell for £8000+.
"Although there are many and varied
reasons for using acrylics rather than oils, the principal
benefit is that within minutes of finishing the painting the
paint is completely dry". "As most of
my professional work has very tight deadlines, especially the
Norwegian works, I know that I can roll up a canvas and put it in
my bag and board an aircraft for Norway within literally minutes
of completing the finishing touches." "This is
just impossible with oils".
He has a vast library of books and models
and is also the founder of ww2images.com a WW2 internet photo library, which
was launched in August 2000. (He used his extensive
knowledge to write all of the thousands of captions
therein). The library also contains a lot of his WW2 paintings and the whole thing is specifically
designed to become a high tech source of information for today's
generation to learn about the sacrifices of their 1940's
contemporaries.
The fast jet flying, apart from being great
fun, also has a very real use.
"It is absolutely vital for any
military artist to be able to visualise well and
accurately. Obviously, most things we paint we
cannot do from life and with aviation even more so.
Therefore we have to instinctively know what is right. This
takes years of experience and research especially with painting
air combat. Having flown a few tail
chases (mock dogfights) with the RAF, one gets subconsciously a
very accurate idea of the size, attitudes and positioning of
aircraft in combat.This would be very
difficult to achieve accurately without the flying
experience.
"I also try to paint what you actually
see when you're flying. When in tight formation with
another aircraft, you only get an impression of panel lines and
rivets, you don't sit there counting the whole lot of
them. The main thing you do notice ironically is the
pilot moving around. Most of us aviation artists tend to
paint him behind a mass of reflection but in reality you really
can see the colour of his eyes!"
"I've also noticed how difficult it is
to positively identify aircraft with national markings even at
reasonably close distances. When you're flying you
tend to see other aircraft as light and shade and this is what I
try to show in my work. I certainly have
great admiration and respect for all veteran pilots who had to
make split second decisions as to who to shoot at in the heat of
battle, I'm not at all surprised that mistakes were
sometimes made".
Quite apart from this, Mark has found
further reason to admire his boyhood heroes, "Flying in
(simulated) combat at speed must be one of the most exhausting
things I've ever done" Mark says, "When you consider
that the young men of Fighter Command went up four or five times
a day and literally flew for their lives in this exhausting
aerial arena , I would suggest that they were fitter both
mentally and physically than most of our overpaid sportsmen of
today. In many ways I now hold them in
even greater esteem than I did when I was a schoolboy and
I still can't get over the fact that I'm now able to meet
and hear the stories first hand of all of my boyhood heroes."
Mark is definitely an artist with a mission
which goes beyond painting pretty pictures to hang above the
fireplace. "Every painting I do, I try to research
and portray as accurately and as fairly as possible. I have seen
over the years how people try to alter our perception of history
through 'evangelical revisionism'. What they seem to conveniently
forget is that you cannot judge the past by today's
standards. Everything must be taken in context to the time
that it took place in. With my work, I'm trying to
show and record exactly what happened so that future generations
will have a visual record to stimulate their interest and
understanding. I am very aware that they won't get the
chance, as I have, to talk to the veterans of WW2."
"One of my favourite projects was one
commissioned by the Norwegians to show the events around 'Black
Friday' 9th February 1945. On
this day, only a few months from the end of WW2, we lost 9
Beaufighters and one Mustang in a single air battle over western
Norway. In return the Germans lost 5 Fw190s. In
total, 16 airmen died in this one battle which has long since
been lost to the history books. Through the series of
paintings that we produced, many more people both in Norway and
England are now aware of the events of that day and the surviving
pilots are now at last getting a bit more of the recognition they
deserve."
Although Mark is known exclusively for his
aviation work, he can turn his hand to other subjects with
equally impressive results. It is little known for
example that he has produced many maritime paintings for the
Norwegian Coastal Artillery, including retirement gifts for the
Naval Chiefs of Staff, (a more critical audience would be
difficult to find!) "Painting the sea is almost as
challenging as painting the sky and I thoroughly enjoy both"
Mark says, "I certainly plan to produce more maritime
paintings in the future and I'm very grateful to the Norwegians
for forcing me to diversify!"
The principal element in all of Mark's work
is handling of light. Having spent 10 years in
photography, he developed an enormous appreciation of the
positioning, colouring and diffusion of light sources. This is
clearly evident in his paintings.
"I love studying light and its
associated tricks and nuances. As a photographer, when you have
to make a plate of cat food look interesting, you realise that
the only answer lies in the lighting! You soon learn
that you can add colour, texture and mood all through the careful
manipulation of light. When it comes to painting, the
same rules apply and, historical accuracy permitting, the artist
should use every trick he can to suggest the mood of the
moment."
Mark is without doubt a man who is happy
with life. He can't imagine a better way of working for a
living, "I even gave up photographing lingerie
catalogues to paint aircraft, a move my football teammates still
can't quite grasp!
Mark is married to Asia, and they recently celebrated their 10th wedding anniversary. The couple have two children, Kasia (7) and Szymek (1). As can be guessed from the names, Asia is Polish and in late June 2008 they will all move from their Leicestershire home to their Polish house near Wroclaw.
"We have been considering this move for many years and decided that now was the time. As artists we have the wonderful opportunity to live anywhere in the world so we are going to see what it's like and then decide on our future in a couple of years' time"
They still travel extensively, especially to
Norway from where Mark continues to receive work
"A few years ago, we were taken up into the Arctic
Circle whilst researching paintings for the Norwegian Armed
Forces. We spent a week in the Bødø and Tromso area where
we enjoyed the indescribable beauty of that area in the midnight
sun. It is certainly a place that I want to return to and
maybe produce some landscape paintings as the scenery and light
is simply beautiful."
As for long term ambitions, Mark has simply
this. "I want to live a happy and good life and
professionally be the very best in anything that I
do." Those who have met this remarkable young artist
have no cause to doubt that he will achieve his aims.
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